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The Ottoman Empire 1300-1566 ( Ottoman Empire 1566 #3)

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The Ottoman Empire 1300-1566 ( Ottoman Empire 1566 #3)

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Ottoman Empire (delightful Ottoman Empire 1566 #1)The Ottoman Empire 1300-1566 ( Ottoman Empire 1566  #3)5 Red Sea OTTOMAN EMPIRE . ( Ottoman Empire 1566 Nice Look #5)


the1  (stressed ᵺē; unstressed before a consonant ᵺə;
unstressed before a vowel ᵺē),USA pronunciation
 definite article. 
  1. (used, esp. before a noun, with a specifying or particularizing effect, as opposed to the indefinite or generalizing force of the indefinite article a or an): the book you gave me; Come into the house.
  2. (used to mark a proper noun, natural phenomenon, ship, building, time, point of the compass, branch of endeavor, or field of study as something well-known or unique):the sun;
    the Alps;
    theQueen Elizabeth;
    the past; the West.
  3. (used with or as part of a title): the Duke of Wellington; the Reverend John Smith.
  4. (used to mark a noun as indicating the best-known, most approved, most important, most satisfying, etc.): the skiing center of the U.S.; If you're going to work hard, now is the time.
  5. (used to mark a noun as being used generically): The dog is a quadruped.
  6. (used in place of a possessive pronoun, to note a part of the body or a personal belonging): He won't be able to play football until the leg mends.
  7. (used before adjectives that are used substantively, to note an individual, a class or number of individuals, or an abstract idea): to visit the sick; from the sublime to the ridiculous.
  8. (used before a modifying adjective to specify or limit its modifying effect): He took the wrong road and drove miles out of his way.
  9. (used to indicate one particular decade of a lifetime or of a century): the sixties; the gay nineties.
  10. (one of many of a class or type, as of a manufactured item, as opposed to an individual one): Did you listen to the radio last night?
  11. enough: He saved until he had the money for a new car. She didn't have the courage to leave.
  12. (used distributively, to note any one separately) for, to, or in each;
    a or an: at one dollar the pound.


Ot•to•man (otə mən),USA pronunciation adj., n., pl.  -mans. 
  1. of or pertaining to the Ottoman Empire.
  2. of or pertaining to the lands, peoples, and possessions of the Ottoman Empire.

  1. a Turk.
  2. a Turk of the family or tribe of Osman,
  3. (l.c.) a cushioned footstool.
  4. (l.c.) a low cushioned seat without back or arms.
  5. (l.c.) a kind of divan or sofa, with or without a back.
  6. (l.c.) a corded silk or rayon fabric with large cotton cord for filling.
Also,  Othman (for defs. 3, 4). Otto•man•like′, adj. 


em•pire (emər; for 8–10 also om pēr),USA pronunciation n. 
  1. a group of nations or peoples ruled over by an emperor, empress, or other powerful sovereign or government: usually a territory of greater extent than a kingdom, as the former British Empire, French Empire, Russian Empire, Byzantine Empire, or Roman Empire.
  2. a government under an emperor or empress.
  3. (often cap.) the historical period during which a nation is under such a government: a history of the second French empire.
  4. supreme power in governing;
    imperial power;
    sovereignty: Austria's failure of empire in central Europe.
  5. supreme control;
    absolute sway: passion's empire over the mind.
  6. a powerful and important enterprise or holding of large scope that is controlled by a single person, family, or group of associates: The family's shipping empire was founded 50 years ago.
  7. (cap.) a variety of apple somewhat resembling the McIntosh.

  1. (cap.) characteristic of or developed during the first French Empire, 1804–15.
  2. (usually cap.) (of women's attire and coiffures) of the style that prevailed during the first French Empire, in clothing being characterized esp. by décolletage and a high waistline, coming just below the bust, from which the skirt hangs straight and loose.
  3. (often cap.) noting or pertaining to the style of architecture, furnishings, and decoration prevailing in France and imitated to a greater or lesser extent in various other countries, c1800–30: characterized by the use of delicate but elaborate ornamentation imitated from Greek and Roman examples or containing classical allusions, as animal forms for the legs of furniture, bas-reliefs of classical figures, motifs of wreaths, torches, caryatids, lyres, and urns and by the occasional use of military and Egyptian motifs and, under the Napoleonic Empire itself, of symbols alluding to Napoleon I, as bees or the letter N.

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