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Ottoman Empire (delightful Ottoman Empire 1566 #1)

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Ottoman Empire (delightful Ottoman Empire 1566 #1)

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Ot•to•man (otə mən),USA pronunciation adj., n., pl.  -mans. 
  1. of or pertaining to the Ottoman Empire.
  2. of or pertaining to the lands, peoples, and possessions of the Ottoman Empire.

  1. a Turk.
  2. a Turk of the family or tribe of Osman,
  3. (l.c.) a cushioned footstool.
  4. (l.c.) a low cushioned seat without back or arms.
  5. (l.c.) a kind of divan or sofa, with or without a back.
  6. (l.c.) a corded silk or rayon fabric with large cotton cord for filling.
Also,  Othman (for defs. 3, 4). Otto•man•like′, adj. 


em•pire (emər; for 8–10 also om pēr),USA pronunciation n. 
  1. a group of nations or peoples ruled over by an emperor, empress, or other powerful sovereign or government: usually a territory of greater extent than a kingdom, as the former British Empire, French Empire, Russian Empire, Byzantine Empire, or Roman Empire.
  2. a government under an emperor or empress.
  3. (often cap.) the historical period during which a nation is under such a government: a history of the second French empire.
  4. supreme power in governing;
    imperial power;
    sovereignty: Austria's failure of empire in central Europe.
  5. supreme control;
    absolute sway: passion's empire over the mind.
  6. a powerful and important enterprise or holding of large scope that is controlled by a single person, family, or group of associates: The family's shipping empire was founded 50 years ago.
  7. (cap.) a variety of apple somewhat resembling the McIntosh.

  1. (cap.) characteristic of or developed during the first French Empire, 1804–15.
  2. (usually cap.) (of women's attire and coiffures) of the style that prevailed during the first French Empire, in clothing being characterized esp. by décolletage and a high waistline, coming just below the bust, from which the skirt hangs straight and loose.
  3. (often cap.) noting or pertaining to the style of architecture, furnishings, and decoration prevailing in France and imitated to a greater or lesser extent in various other countries, c1800–30: characterized by the use of delicate but elaborate ornamentation imitated from Greek and Roman examples or containing classical allusions, as animal forms for the legs of furniture, bas-reliefs of classical figures, motifs of wreaths, torches, caryatids, lyres, and urns and by the occasional use of military and Egyptian motifs and, under the Napoleonic Empire itself, of symbols alluding to Napoleon I, as bees or the letter N.

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